Installation Art and the Museum Presentation and Conservation of Changing Artworks

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are yous know a lot nearly the men who "defined" their mediums. As with other subjects, most of what we acquire about art history today still centers on white men from Europe and, later, the United states. In reality, there are and so many more artists of all genders to larn from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the fine art world's near iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in irresolute the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than than 30 years. Afterwards studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture Stills (1977–eighty). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Moving picture Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of diverse generic female person movie characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A even so from the functioning Cutting Piece, 1964, and a motion-picture show of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might get-go recollect of Yoko Ono as a musician and activist, but she'south also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art motility, earning the nickname the "High Priestess of the Happening".

I of her well-nigh revered works, Cutting Piece, was a functioning she first staged in Japan; Ono sabbatum on phase in a nice accommodate and placed scissors in front end of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to asphyxiate."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in plow, part of the trajectory of fine art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the play a trick on is to seduce the viewer," Saar has said. "If you lot tin can go the viewer to await at a piece of work of art, then you might be able to give them some sort of message."

Frida Kahlo

People wait at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'due south rare to notice someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her cocky-portraits. Kahlo oft used assuming, bright colors to create her symbol-rich works, and was regarded as 1 of the about influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's as well known for her hyper-existent sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which utilise mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Outset Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald's piece of work — and her signature grayscale peel tones — every bit she was the first Blackness woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Serial Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'due south biennial exhibition All the Earth's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question club, identity, and racial politics past demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black human with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our Business firm Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's piece of work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity as meditations on various concepts, such as trauma, noesis, and promise. I of her more notable works, I Odor Y'all On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilisation. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is ameliorate known for her installation art and sculptures — like the spider higher up — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and popular art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'southward seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the part of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the get-go feminist art programme in the The states.

Augusta Cruel

Augusta Savage with i of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Cruel was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In improver to creating breathtaking sculptures, oft of Black folks, Savage founded the Vicious Studio of Craft in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (Merely look upward her nearly famous work, Interior Scroll, and yous'll come across what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last proper noun professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite aroused. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's concluding public committee was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays diverse subcultures in formal portraits — but in a manner that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and fine art to address global bug such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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