Christopher Frost Photography Sony 50mm F18 Oss Review

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Welcome to my lens guide for the Sony a6600 mirrorless camera.

The Sony a6600 features an APS-C sensor and supports Sony E-mount lenses from both Sony and third-parties.

Although this is a guide aimed towards the Sony a6600, the lenses I'm going to cover are supported with all of Sony'south E-mountain APS-C cameras along with the full-frame a7 / a9 cameras when shooting in APS-C mode.

Sony a6600 Forum & Facebook Grouping

If y'all are looking for farther help and advice on the a6600 or would simply like to share your photos and videos, and so please head over to our friendly Sony a6600 Forum. If you prefer Facebook then I also run the Sony a6600 Shooters Group.

Contents

1. Summit 10 Lenses
2. All-in-One Lenses
3. Wide-Angle Lenses
4. Portrait Lenses
5. Macro Lenses
6. Telephoto Lenses
7. Pancake Lenses
8. Upkeep Lenses
9. FAQ's
10. Helpful a6600 Resource

**Please Note: Unless otherwise mentioned no post processing has been applied to the paradigm samples in this guide except for cropping. Total resolution SOOC JPEG images are available to download. RAW files are besides available but password protected to help go along my hosting costs sensible. However, I do provide the username/countersign to all members of our customs forum. All images are copyright protected and may be used for personal apply simply.

Top x Sony a6600 Lenses

Here are the top 10 nearly pop lenses for the Sony a6600 in 2020.

1. Sony E 10-18mm F4 OSS
2. Rokinon / Samyang 12mm f/2.0 NCS CS
3. Sigma 16mm f/ane.iv DC DN
4. Sony East PZ 18-105mm F4 Thousand OSS
5. Sony E xviii-135mm F3.5-5.6 OSS
6. Sony Eastward sixteen-55mm F2.8 1000
7. Sigma 30mm f/1.four DC DN
8. Sigma 56mm f/1.four DC DN
9. Sony FE 85mm F1.8
10. Sony Atomic number 26 90mm F2.8 Macro Grand OSS

All-in-One Lenses

All-in-one lens generally comprehend a wide focal range from a moderate wide-angle to short telephoto. They make great travel lenses as you can capture a wide range of subject with but the one single lens and therefore go along your backpack nice and calorie-free.

Sony E 16-55mm F2.8 Thou (SEL1655G)

The Sony E 16-55mm F2.8 G lens is a high quality standard zoom lens with a fast f/2.8 aperture.

Weather sealed and well built, this lens weighs in at only 494g (17.5 oz).

At the maximum aperture of f/two.8 and 16mm the middle of the frame is very abrupt and the corners look adept too. Stop down to f/4 and f/v.vi and y'all'll run across farther improvements in sharpness until y'all reach f/16.

At 55mm and f/2.viii the center of the frame is very precipitous only the corners are a little softer until you lot step down to f/4.

There is some barrel distortion at 16mm when shooting at f/2.8 just this is gone by around 30mm. If you lot shoot in JPEG then in-camera corrections volition take care of this for you anyway.

The lens does not include Optical Steadyshot but since the a6600 includes in-torso-stabilization (IBIS) this shouldn't be too much of an outcome.

An first-class lightweight lens although it does come up with a hefty price tag.

To learn more about this lens I'd recommend watching this video from Christopher Frost:

Pros: Well built, fast f/2.8 aperture, bokeh, razor sharp, flare control, quiet autofocus motor
Cons: No stabilization
Recommended Reviews: Christopher Frost (YouTube) | Arthur R (YouTube) | Jason Vong (YouTube)
Sample Photos: Sony Gallery | Flickr
Format: APS-C
Lens Construction: 12 groups, 17 elements
Bending of View: 83°-29°
Aperture Blades: ix rounded
Minimum Aperture: f/22
Maximum Aperture: f/ii.8
Minimum Focusing Distance: 1.09 ft (0.33 m)
Maximum Magnification Ratio: 0.66
Auto Focus: Yeah
Stabilization: No
Filter Thread Size: 67mm
Length: 100mm
Bore: 73mm
Weight: 494g / 17.5 oz

Price Check & Buyer Reviews for Sony E 16-55mm F2.8 G

At: Amazon | B&H Photo

Sony Eastward eighteen-135mm F3.5-v.6 OSS (SEL18135)

The Sony East 18-135mm F3.5-5.half-dozen OSS is a great pick for the a6600 if you lot are looking for a lens that covers a very wide focal range from 18mm all the manner upwards to 135mm.

This lens is sharp in the middle at 18mm and f/3.5 but the corners are a footling softer. Withal, step downwardly to f/five.6 and now the corners acuminate up nicely. At 135mm central sharpness is first-class and the corners are only a piffling softer.

There are signs of chromatic aberration but if you lot are a JPEG shooter in-photographic camera corrections volition have care of this for you.

The autofocus motor is fast and silent and Optical Steadyshot (OSS) is built in. The lens is lacking some weather sealing so you'll need to be a little more careful shooting in the rain with this one.

I own this lens myself and then hither are a few shots that I've taken with information technology:

Sony E 18-135mm (Shot on a6400) @ 125mm | 1/chiliad | f/vi.iii | ISO 200 | ** Total Resolution SOOC Download: JPEG | RAW

Sony E xviii-135mm (Shot on a6400) @ 120mm | 1/200 | f/eight | ISO 200 | ** Full Resolution SOOC Download: JPEG | RAW

Sony Due east eighteen-135mm (Shot on a6400) @ 135mm | i/1000 | f/5.6 | ISO 3200 | ** Full Resolution SOOC Download: JPEG | RAW

To learn more about this lens I'd recommend watching this video from Christopher Frost:

Pros: Lightweight, well congenital, bokeh, central sharpness, fast AF
Cons: No atmospheric condition sealing, poor border sharpness at 135mm
Recommended Reviews: Technology Mafia (YouTube) | SonyAlphaLab (YouTube) | Christopher Burress (YouTube) | ePhonezine
Sample Photos: My Sample Photos | Flickr
Minimum Focusing Distance: 0.45 g (1.48 ft)
Minimum Discontinuity: f/22-36
Maximum Aperture: f/3.5-5.half-dozen
Aperture Blades: 7
Machine Focus: Yep
Stabilization: Yep
Filter Thread Size: 55mm
Length: 88mm (3-ane/2 in.)
Diameter: 67.2mm (2-3/four in.)
Weight: 325 one thousand (11.5 oz.)

Toll Check & Buyer Reviews for Sony East 18-135mm F3.5-5.six OSS

At: Amazon | B&H Photo

Sony E PZ 18-105mm F4 Thousand OSS (SELP18105G)

The Sony Due east PZ 18-105mm F4 M OSS lens is one of Sony'southward bestselling standard zoom lenses.

It features a focal range from 18-105mm and a constant aperture of f/4. It as well features a motorized internal zoom lens that does not extend as yous zoom in. This makes it a very popular choice for video shooters as balancing on a gimbal is and so much easier.

The observant among you lot will notice that Sony as well badged this lens as a Chiliad lens, meaning this lens has splendid build and optical quality.

Information technology weighs 427g (xv.1oz.) so this lens is a good 100g heavier than the 18-135mm, it's also longer and wider every bit well.

Optical image stabilization is built in and the autofocus is both fast and virtually silent. The motorized zoom is controlled by a rocker switch on the body itself.

At the maximum aperture of f/4 and 18mm fundamental sharpness is excellent and the corners are just a petty softer. Finish downwards to f/5.6 and yous'll meet a minor improvement in sharpness and the corners likewise look a lot amend. At 105mm sharpness is excellent in the center of the paradigm simply the corners are a piddling soft.

Chromatic aberrations are visible towards the frame edges along with some vignetting when shooting broad-open, this improves at f/five.6. Distortion is non so well controlled with both barrel and pincushion distortion visible.

I own this lens myself but since purchasing the 18-135mm lens it has just bene collecting dust. The xviii-135mm is smaller, lighter, sharper in the center and is definitely my preferred lens for travelling light.

Here are a few shots that I've taken with it:

Sony E PZ 18-105mm (Shot on a6400) @ 105mm | 1/1250 | f/iv.5 | ISO 250 | Full Resolution SOOC Download: JPEG

Sony East PZ 18-105mm (Shot on a6400) @ 105mm | 1/1600 | f/four | ISO 500 | ** Total Resolution SOOC Download: JPEG | RAW

To acquire more most this lens I'd recommend watching this video from Christopher Frost:

Pros: Build quality, center sharpness, epitome stabilization, constant aperture
Cons: Border sharpness at f/4 not great, CA, baloney at 105mm
Recommended Reviews: Jordan Steele | Christopher Frost (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.45 (Broad)-0.95m (Tele) (1.48 (Broad)-3.12ft (Tele))
Minimum Discontinuity: f/22
Maximum Aperture: f/4
Aperture Blades: vii
Auto Focus: Yeah
Stabilization: Aye
Filter Thread Size: 72mm
Length: 110mm (4-3/8in.)
Diameter: 78mm (3-1/8 in.)
Weight: 427g (15.1oz.)

Toll Check & Buyer Reviews for Sony E xviii-105mm F4 Thou OSS

At: Amazon | B&H Photo

Sony East eighteen–200mm F3.5–6.iii OSS LE (SEL18200LE)

The Sony East xviii–200mm F3.5–vi.3 OSS LE lens covers a very wide focal range from 18mm at f/3.five all the way up to 200mm at f/6.three.

The lens is reasonably precipitous at 18mm and f/3.5, a piffling sharper from 50mm-100mm, then at 200mm and f/half dozen.3 sharpness is ok but nil to shout about. The xviii-135 lens is considerably sharper.

There are signs of chromatic aberration at the wide and tele-ends and vignetting is visible at 18mm and f/3.5, stop down to f/v.6 and it clears up. At 200mm and f/vi.3 vignetting is again visible, but stop down to f/8 and it'southward gone.

Distortion is visible through the focal range but in-camera corrections do a skillful chore at correcting this. If yous are shooting into the lord's day you'll be glad to know that flare is pretty well controlled.

To larn more virtually this lens I'd recommend watching this video from John Sison:

Pros: Wide focal range, build quality, key sharpness, flare control
Cons: Vignetting wide-open up, distortion, toll
Recommended Reviews: James Tan | John Sison (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.5m (1.64ft)
Minimum Aperture: f/22-40
Maximum Discontinuity: f/3.5-vi.three
Aperture Blades: 7
Automobile Focus: Yeah
Stabilization: Yeah
Filter Thread Size: 62mm
Length: 97.1mm (3-vii/viii in.)
Diameter: 68mm (2-3/4 in.)
Weight: 460g (16.3oz.)

Toll Check & Buyer Reviews for Sony Due east xviii-200mm F3.five-6.iii OSS LE

At: Amazon | B&H Photo

Back to Contents Menu

Wide-Angle Lenses

Wide-angle lenses let you to include a lot more than of the scene within the frame. Broad-angle lenses are pop choices for landscape, architectural and interior shooters.

Sony E 10-18mm F4 OSS (SEL1018) APS-C Lens

The Sony Due east 10-18mm F4 OSS is an APS-C lens and likewise the widest lens that Sony offers with a focal range of x-18mm and a maximum abiding aperture of f/4.

This is a very well built and compact lens that weighs simply 225g (8oz.). It's too a lens that I accept owned myself for quite a few years now.

At 10mm and f/iv at that place is very good cardinal sharpness and the corners are merely a little softer. Terminate downward to f/v.6 and the edges are now much sharper and at f/8 the sharpness is splendid beyond the frame. The same is truthful at 18mm.

Chromatic aberrations are well controlled but some majestic fringing can be noticed in high contrast shots. Thankfully for JPEG shooting in-camera corrections will take intendance of this for you.

At 10mm and f/4 vignetting is visible and although stopping downwards improves this is doesn't completely go away. Once again in-camera corrections exercise a very good task at correcting this.

Here are a couple of shots that I've taken with it:

Sony E 10-18mm (Shot on a6400) @ 18mm | 30sec| f/22 | ISO 100 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW

Sony E 10-18mm (Shot on a6500) @ 10mm | ane/400 | f/7.1 | ISO 100 | Handheld | ** Full Resolution SOOC Download: JPEG | RAW

To learn more most this lens I'd recommend watching this video from Arthur R:

Pros: Build quality, low weight, sharpness, distortion, repose AF motor
Cons: Vignetting, expensive
Recommended Reviews: Drew Robinson | John Sison (YouTube) | Stuck in Customs | SonyAlphaLab
Sample Photos: Flickr
Minimum Focusing Distance: 0.25m (0.82ft)
Minimum Aperture: f/22
Maximum Aperture: f/4
Aperture Blades: vii
Motorcar Focus: Yep
Stabilization: Yes
Filter Thread Size: 62mm
Length: 63.5mm (2-1/2 in.)
Diameter: 70.0mm (2-7/eight in.)
Weight: 225g (8oz.)

Toll Check & Heir-apparent Reviews for Sony E 10-18mm F4 OSS

At: Amazon | B&H Photo

Laowa 9mm f/2.8 Zero-D

The Laowa 9mm f/2.8 Zero-D is the widest lens that y'all can currently buy for the Sony a6600, information technology'south besides a transmission focus only lens.

At the maximum aperture of f/2.8 central sharpness is very good and improves fifty-fifty further when you stop down to f/4 and f/five.6. The corners are a trivial softer at f/2.viii simply they sharpen upwards nicely past f/5.6.

Chromatic aberration is very well controlled although vignetting at f/2.viii is visible and stepping down to f/11 doesn't completely eliminate it.

Despite the Zero-D in the proper name which stands for "Zero Distortion", in that location is the smallest amount visible. If you shoot into the sun then you will likewise notice some flare.

If you programme to point this lens at the stars yous'll be glad to know that coma is well controlled.

Weighing only 215g (seven.58oz.) you'll barely detect this lens mounted to your Sony a6600.

To acquire more most this lens I'd recommend watching this video from Christopher Frost:

Pros: Very sharp, depression CA, low baloney, compact
Cons: Manual focus just, flare command, vignetting, price
Recommended Reviews: Christopher Frost (YouTube) | Engineering science Mafia (YouTube) | ePhotoZine
Sample Photos: FlickR
Minimum Focusing Distance: 0.12m (0.39ft)
Minimum Discontinuity: f/22
Maximum Aperture: f/two.eight
Aperture Blades: 7
Auto Focus: No, manual focus merely
Stabilization: No.
Filter Thread Size: 49mm
Length: 53mm (ii.1 in.)
Diameter: 60mm (2.36 in.)
Weight: 215g (7.58oz.)

Rokinon / Samyang 12mm f/2.0 NCS CS

The Rokinon 12mm f/two.0 NCS CS as information technology's known in the US, or the Samyang 12mm f/2.0 NCS CS as it's known in Europe are both identical APS-C lenses from the same visitor, but for their own branding reasons apply the name Rokinon in the US and Samyang in Europe.

Just like the Laowa this is a transmission focus merely lens but cheers to focus peaking on the a6600 this really shouldn't be an issue for most shooters. The aperture control is likewise manually controlled past using the aperture band on the lens body, you can't control it with the aperture punch on the a6600 because there are no electric contacts on the lens.

At f/2 the center of the frame is very precipitous and the edges just a little softer. Stop down to f/ii.8 and f/iv and sharpness improves even further.

At that place is some balmy barrel distortion and vignetting wide-open at f/2 but this improves past stopping downward to f/four.

Coma operation is excellent and when combined with its fast f/2 maximum discontinuity this is a very popular choice for shooting astrophotography with the Sony a6600.

For the price this lens unremarkably sells for information technology's difficult to beat this lens right now.

To learn more almost this lens I'd recommend watching this video from Christopher Frost:

Pros: Sharpness, build quality, depression CA, low coma, cost
Cons: Transmission focus only
Recommended Reviews: Ian Norman | Hashemite kingdom of jordan Steele | Drew Robinson | Technology Mafia (Youtube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.2m (0.66ft)
Minimum Aperture: f/22
Maximum Aperture: f/ii
Discontinuity Blades: 6
Machine Focus: No, manual focus only
Stabilization: No
Filter Thread Size: 67mm
Length: 59mm (2.32 in.)
Diameter: 72.5mm (2.85 in.)
Weight: 245g (8.64oz.)

Price Bank check & Buyer Reviews for Rokinon 12mm f/2.0 NCS CS

At: Amazon | B&H Photo

Sigma 16mm f/one.4 DC DN

If yous are not a fan of transmission focus lenses and so yous'll be glad to know that the Sigma 16mm f/1.4 DC DN does include an autofocus motor along with a fast maximum aperture of f/1.4.

The lens is well built to Sigma'due south usual high standards and weighs 405g (14.3oz). It'due south also weather condition sealed to aid prevent dust and moisture getting into both the lens and the a6600 torso.

Central sharpness is very adept at f/1.four and f/two and it becomes fifty-fifty sharper at f/2.8 through to f/8. Diffraction does first to kick in from around f/eleven but sharpness still remains skilful.

At that place is a pocket-size amount of chromatic abnormality both centrally and at the edges of the frame, just in-photographic camera corrections presently take care of this.

Flare resistance is very good and the nine bladed aperture produces some very overnice sunstars when you step the aperture downwards.

The autofocus is pretty fast merely not the quietest in boondocks.

This lens does unfortunately exhibit some blackout. Stars are nice and round in the center of the frame, but closer to the edges they do first to stretch a little. But that however hasn't stopped this lens from being one of the well-nigh popular choices for astrophotography. Here'due south a YouTube Review worth watching if you shoot astro and besides a Sigma 16mm F1.four vs Rokinon 12mm F2.0 Comparison for astro.

To acquire more nigh this lens I'd also recommend watching this video from Christopher Frost:

Pros: Sharpness, toll, low CA, build quality, flare resistance
Cons: AF motor noise
Recommended Reviews: Dustin Abbott | Technology Mafia (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.25m (two.07ft)
Minimum Aperture: f/sixteen
Maximum Discontinuity: f/one.4
Aperture Blades: 9
Auto Focus: Aye
Stabilization: No
Filter Thread Size: 67mm
Length: 92.3mm (3.half dozen in.)
Diameter: 72.2mm (2.8 in.)
Weight: 405g (xiv.3oz)

Price Check & Buyer Reviews for Sigma 16mm F1.4 DC DN

At: Amazon | B&H Photo

Dorsum to Contents Bill of fare

Portrait Lenses

On full-frame 35mm cameras portrait shooters normally prefer a focal length of around 85mm which is constructive focal length of around 55mm on an APS-C photographic camera like the a6600. Although environment portrait shooters may choose to go much wider.

Sony E 35mm F1.viii OSS (SEL35F18)

With a focal length of 35mm on an APS-C camera like the Sony a6600, the Sony E 35mm F1.viii OSS lens offers an equivalent focal length on a full-frame camera of around 52mm.

At the maximum aperture of f/1.8 sharpness in the center of the frame is very good, the edges are a footling softer but cease down to f/4 to sharpen these up.

Chromatic aberrations are well controlled but at that place is a small amount of majestic fringing when shooting high contrast subjects at f/ane.eight. In-photographic camera corrections volition take intendance of this for JPEG shooters.

Both distortion and flare are well controlled and the Optical Steadyshot (OSS) helps to stabilize your shots and bring downwardly your shutter speeds. The autofocus motor is not as fast compared to other lenses but it is serenity.

I don't really shoot people portraits myself and so hither are a couple of shots of my dog Frank instead:

Sony E 35mm F1.8 (Shot on a6400) @ 35mm | ane/4000 | f/ii.8 | ISO 320 | Cropped + Shadows Recovered in LR | ** Full Resolution SOOC Download: JPEG | RAW

Sony Due east 35mm F1.eight (Shot on a6500) @ 35mm | ane/1250 | f/1.8 | ISO 320 | ** Full Resolution SOOC Download: JPEG | RAW

To learn more about this lens I'd recommend watching this video from Christopher Frost:

Pros: Build quality, size, maximum aperture of f/one.8, silent AF, pleasing bokeh, toll
Cons: Ho-hum AF performance, chromatic aberrations
Recommended Reviews: Matthew Durr | Christopher Frost (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.3m (0.99ft)
Minimum Discontinuity: f/22
Maximum Discontinuity: f/i.viii
Aperture Blades: vii
Machine Focus: Yep
Stabilization: Yes
Filter Thread Size: 49mm
Length: 45mm (ane-13/xvi in.)
Diameter: 63mm (2-1/2 in.)
Weight: 154g (v.5oz.)

Price Check & Buyer Reviews for Sony E 35mm F1.eight OSS

At: Amazon | B&H Photo

Sigma 30mm f/i.four DC DN Contemporary

The Sigma 30mm F1.4 DC DN Contemporary lens is one of the sharpest lenses available for Sony E-mountain.

It's sharper and offers better contrast than the more expensive Sony E 35 F1.eight lens to a higher place.

At the maximum aperture of f/i.4 this lens is razor sharp in the eye of the frame and the corners are just a fiddling softer. End downwards to f/2.eight and the corners soon sharpen up.

At that place is some vignetting when shooting wide-open but finish downwards to f/2.8 and you'll now struggle to notice it.

Chromatic aberrations are visible at f/i.4 but improve every bit you end downwards. These can be corrected in-photographic camera if you are shooting JPEG.

I own this lens myself so here's a shot of a piffling tawny owl at a local birds of prey center:

Sigma 30mm F1.4 DC DN (Shot on a6400) @ f/one.4 | 1/400 | ISO 160 | Full Resolution SOOC Download: JPEG | RAW **

To learn more than near this lens I'd recommend watching this video from Christopher Frost:

Pros: Sharpness, size, price, bokeh
Cons: Vignetting, distortion
Recommended Reviews: Lavikka Photography (YouTube) | DPReview
Sample Photos: Flickr
Lens Construction: 9 elements in seven groups
Minimum Focusing Distance: 30cm / eleven.8in.
Minimum Aperture: f/16
Maximum Discontinuity: f/ane.4
Aperture Blades: 9 rounded
Auto Focus: Yes
Stabilization: No
Filter Thread Size: 52mm
Length: 73.three㎜ / two.9in
Diameter: 64.8㎜ / 2.55in.
Weight: 265g/ 9.3oz.

Toll Check & Buyer Reviews for Sigma 30mm F1.4 DC DN

At: Amazon | B&H Photo

Sony E 50mm F1.8 OSS (SEL50F18)

The Sony 50mm f/1.eight OSS lens is one of the almost popular lenses for shooting portraits on the Sony a6600. With a total-frame equivalent focal length of 75mm on the a6600 y'all are very shut to 85mm which many shooters prefer for portraits.

The maximum aperture of f/1.8 actually helps to isolate your subject from the groundwork and also produce some very nice bokeh.

The lens is very sharp in the center of the frame and even the corners when shooting wide-open up at f/ane.eight.

A small amount of regal fringing is visible when shooting wide-open but nada to worry besides much about, this tin also be quickly corrected in-photographic camera if you are shooting JPEGS. There is a little vignetting at f/1.8 but stop downwardly to f/2.eight and its presently gone.

Baloney is well controlled but if y'all like shooting into the sun and then you might struggle with flare.

To learn more almost this lens I'd recommend watching this video from Christopher Frost:

Pros: Sharpness across the frame, build quality, price, bokeh, lightweight
Cons: Wearisome autofocus in low low-cal
Recommended Reviews: Christopher Frost (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.39m (1.28ft)
Minimum Aperture: f/22
Maximum Aperture: f/1.8
Aperture Blades: seven
Motorcar Focus: Yes
Stabilization: Yes
Filter Thread Size: 49mm
Length: 62 mm (2-1/2 in.)
Bore: 62 mm (2-1/2 in.)
Weight: 202g (7.2oz.)

Price Cheque & Heir-apparent Reviews for Sony E 50mm F1.8 OSS

At: Amazon | B&H Photo

Sigma 56mm f/1.iv DC DN Gimmicky

Just similar both the Sigma 16mm and the 30mm, the Sigma 56mm f/1.4 DC DN Contemporary lens is well built and extremely sharp.

With an equivalent full-frame focal length of 84mm this is a very popular lens for portrait shooters.

Weighing in at 280g / 9.9oz this lens is only a piddling heavier than the 30mm lens but is actually the more compact lens despite the extra weight.

Central sharpness is first-class from f/one.4 right through to f/11, and information technology is still very adept even at f/16. The farthermost edges are very good from f/1.iv to f/2.8 and excellent from f/4 to f/11. Compared to the Sony E 50mm F1.8 the Sigma is significantly sharper.

Focusing is fast and repose, flare is well controlled and the bokeh is deliciously smooth.

There is a trivial chromatic abnormality nowadays, mild vignetting and distortion, simply in-camera corrections will take care of these for you lot when shooting JPEGs.

To learn more about this lens I'd recommend watching this video from Christopher Frost:

Pros: Very sharp, price, build quality, bokeh
Cons: Vignetting, CA
Recommended Reviews: Technology Mafia (YouTube) | Camera Labs
Sample Photos: Flickr
Lens Construction: 10 elements in half dozen groups
Minimum Focusing Altitude: 50cm / 19.7in.
Minimum Discontinuity: f/sixteen
Maximum Aperture: f/1.4
Aperture Blades: 9 rounded
Auto Focus: Yeah
Stabilization: No
Filter Thread Size: 55mm
Length: 59.5mm / 2.3in
Bore: 66.5mm / 2.6in.
Weight: 280g / 9.9oz.

Cost Check & Buyer Reviews for Sigma 56mm F1.4 DC DN

At: Amazon | B&H Photo

Sony Iron 85mm F1.8 (SEL85F18)

Despite the Sony Fe 85mm F1.viii beingness a full-frame lens it'due south still supported and is besides a very popular selection for shooting portraits with the a6600.

With a maximum aperture of f/ane.8 this lens sucks in a lot of light. It's very precipitous and produces some very squeamish creamy bokeh.

The autofocus motor is likewise fast and tranquility, it's actually faster than the Sony FE 85mm F1.4 GM lens which costs around 4x more!

Here's a shot of my dog Frank at 9 weeks of age and a shot from a portrait workshop that I did, not shot on the a6600 though I'm afraid.

Sony Fe 85mm F1.8 (Shot on a7III) @ 85mm | one/g | f/1.eight | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW

a7R III + Atomic number 26 85mm F1.8 | @ one/400 | f/1.8 | ISO 100 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW

To acquire more about this lens I'd recommend watching this video from Christopher Frost:

Pros: Build quality, sharpness, bokeh, distortion, price
Cons: Purple fringing at large apertures, flare resistance
Recommended Reviews: Jannik Peters | Christopher Frost (YouTube)
Sample Photos: Flickr
Minimum Focusing Distance: 0.8 m (2.63 ft)
Minimum Aperture: f/22
Maximum Aperture: f/1.eight
Aperture Blades: 9 circular
Car Focus: Yes
Stabilization: No
Filter Thread Size: 67 mm
Length: 82 mm
Bore: 78 mm
Weight: 371 g (0.82 lbs)

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Macro Lenses

Macro lenses are useful for taking photos of very small subjects at very shut distances.

A true macro lens should have the ability to focus from infinity to i:one magnification at the closest focusing distance, this means that the size of the paradigm in existent life is the same size every bit it is reproduced on a6600's sensor.

I've put together a guide for Sony Due east-mount macro lenses where yous'll find additional buying communication forth with all of the macro lenses bachelor for Sony E-mount.

Here are the most popular macro lenses for the Sony a6600:

Sony E 30mm F3.5 Macro (SEL30M35)

The Sony E 30mm F3.5 Macro APS-C lens is the cheapest macro lens from Son with a 1:1 magnification ratio.

The lens is well built, compact and light in weight but unfortunately it does non take optical image stabilization (OSS) built in, but since the a6600 has IBIS this shouldn't be an issue..

Central sharpness is very good at f/iii.5 and improves downwards to f/viii, whereas the edges are a niggling softer only for macro piece of work where your subject is ordinarily in the middle of your frame this will probably be of no concern. CA is well controlled in the eye of the frame, simply could be meliorate towards the edges where you volition observe some colour fringing in high contrast scenes.

The autofocus is fast and tranquility, which is definitely important if you lot don't want to scare off your field of study and prefer to use autofocus than manual focus.

Sadly this lens is only available in silver, so it doesn't actually lucifer the black body of the a6600 particularly well, just maybe this isn't important to you?

To learn more virtually this lens I'd recommend watching this video from Arthur R:

Pros: Build quality, size, sharpness, one:1 magnification, price
Cons: Edge sharpness, modest working altitude
Recommended Reviews: Engineering Mafia (YouTube) | ePhotozine
Sample Photos: Flickr
Maximum Magnification Ration: 1:one
Minimum Focusing Altitude: 0.095m (0.32ft)
Minimum Aperture: f/22
Maximum Aperture: f/three.5
Discontinuity Blades: 7
Auto Focus: Yes
Stabilization: No
Filter Thread Size: 49mm
Length: 55.5 mm (2-ane/4in.)
Diameter: 62.0 mm (ii-1/2in.)
Weight: 138g (4-7/8oz.)

Price Check & Buyer Reviews for Sony E 30mm F3.five Macro

At: Amazon | B&H Photo

7Artisans 60mm Macro Lens

The 7Artisans 60mm Macro is a budget lens that features a minimum 26cm (10in) focusing distance, F2.viii to F16 discontinuity, eight elements in 7 groups, a 39mm filter size, de-clicked aperture ring, and 550g (19.4oz) weight.

The lens is made from aluminum alloy and supports extension attachments for shooting two:1 and 3:1 macro images.

To learn more well-nigh this lens I'd recommend watching this video from Arthur R:

Recommended Reviews: Micael Widell (YouTube)
Sample Photos: 7Artisans | Flickr
Maximum Magnification Ration: 1:1
Minimum Focusing Distance: 0.26m (0.85ft)
Minimum Aperture: f/xvi
Maximum Aperture: f/2.8
Aperture Blades: n/a
Automobile Focus: no, transmission focus only
Stabilization: no
Filter Thread Size: 39mm
Length: n/a
Bore: n/a
Weight: 550g (nineteen.4oz.)

Price Bank check & Buyer Reviews for 7Artisans 60mm Macro

At: Amazon | B&H Photo

Laowa 65mm f/2.viii 2x Ultra Macro APO

The Laowa 65mm f/two.viii 2x Ultra Macro APO lens in the only macro lens on the market that is capable of producing 2X life-size images.

Both the focusing and aperture control is manual only, and so if you rely on autofocus this probably isn't the best lens for you. Although focus peaking on the a6600 really makes manual focusing a cakewalk.

The lens has excellent build quality and is very precipitous broad-open at f/two.8 in the centre even at 2x. The corners are a little softer broad-open but soon acuminate up at f/four. At 2x magnification the lens does showtime to get softer at f/5.half-dozen.

Chromatic abnormality, distortion and vignetting are very well controlled even at f/2.8 although the lens is prone to flaring.

To acquire more about this lens I'd recommend watching this video from Christopher Frost:

Recommended Reviews: Christopher Frost (YouTube) | Dustin Abbott
Sample Photos: Venus Lens
Maximum Magnification Ration: 2:1
Minimum Focusing Distance: 17cm / 6.69 in. (2X)
Minimum Aperture: f/22
Maximum Aperture: f/2.viii
Discontinuity Blades: 9
Auto Focus: No, manual focus only
Stabilization: No
Filter Thread Size: 52mm
Length: 100mm
Diameter: 57mm
Weight: 335g / 11.81oz

Sony Fe 90mm F2.8 Macro K OSS (SEL90M28G)

The Sony FE 90mm f/2.8 Macro Grand OSS lens is a full-frame lens and one of the sharpest lenses that Sony has always built. DxOMark reviewed this lens and said that it'southward outstanding, scoring higher marks than both the Canon and Nikon equivalents.

Information technology's non piece of cake to find fault with this lens but I do have a couple of issues with it. Offset the autofocus motor is not all that fast, nor is information technology especially serenity. 2d is that the transmission focus band goes from 1:1 to infinity with a very short throw, which sometimes makes it a fiddling tricky to fine tune the focus.

This lens is also a popular choice for portrait shooters cheers to its sharpness and very delight bokeh.

I own this lens myself so here are a couple of shots that I have taken with it:

Sony FE 90mm F2.eight Macro (Shot on a6400) @ 1/250 | f/2.8 | ISO 400 | ** Full Resolution SOOC Download: JPEG | RAW

Sony FE 90mm F2.8 Macro (Shot on a6400) @ 1/250 | f/2.8 | ISO 1250 | Cropped | ** Total Resolution SOOC Download: JPEG | RAW

Sony Iron 90mm F2.viii Macro (Shot on a7R III) @ 1/500 | f/ii.viii | ISO 320 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW

To learn more than well-nigh this lens I'd recommend watching this video from Shane Bethlehem:

Pros: Incredible sharpness at all apertures, fantabulous color rendition, CA is well controlled, very well built, price
Cons: Autofocus isn't the fastest, manual focus could permit for finer adjustments
Recommended Reviews: Jordan Steele | DxOMark | Philip Reeve
Sample Photos: Flickr
Maximum Magnification Ration: 1:one
Minimum Focusing Altitude: 0.28 m (0.92 ft)
Minimum Aperture: f/22
Maximum Aperture: f/2.eight
Aperture Blades: 9 circular
Auto Focus: Yes
Stabilization: Yes
Filter Thread Size: 62 mm
Length: 130.5 mm
Diameter: 79 mm
Weight: 602g (21.23 oz.)

Cost Check & Buyer Reviews for Sony FE 90mm F2.8 Macro G OSS

At: Amazon | B&H Photograph

Sigma 70mm F2.8 DG Macro Art

The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) has been adapted from Sigma'south DSLR version of this lens.

The lens is built to Sigma'south usual high standards when it comes to their Art Series of lenses. This was actually the showtime Sigma lens that I take bought and my first impression as I removed it from the box was how nice information technology felt in my hands.

This lens is capable of producing some very precipitous images even at f/2.eight, chromatic aberration is well controlled and and then is distortion.

The autofocus motor on this lens is definitely not the fastest, but I don't notice this to be a big business organisation since I'1000 using manual focus for most of my macro shots. The focus ring provides a lot more precision than the one institute on the Sony 90mm Macro, although possibly a niggling too much because it needs around 10 twists of the wrist to get from minimum to maximum distance.

Unlike the Sony 90mm this lens does extend when you focus although I've never found information technology to be an issue.

With a minimum focusing distance of 0.25m you'll need to get pretty close to your subject area for 1:ane images, this can as well sometimes consequence in the lens hood casting a shadow on your subject area depending on the bending that the low-cal is coming from.

Here are a couple of shots that I take taken with it:

Sigma 70mm F2.8 Macro (Shot on a6500) @ one/250 | f/eight | ISO 160 | Cropped | ** Total Resolution SOOC Download: JPEG | RAW

Sony a6400 + Sigma 70mm F2.8 DG Macro Fine art @ 1/4000 | f/2.viii | ISO 125 | Full Resolution SOOC Download: JPEG | RAW **

For a closer look at this lens I'd recommend this review from Christopher Frost. Although he's reviewing the Canon version of this lens other than the mount information technology'south pretty much identical to the Sony E-mount version so it's still useful to watch:

Pros: Extremely sharp, color rendition, chromatic aberration, build quality, price
Cons: Autofocus, manual focus ring
Recommended Reviews: My Review
Sample Photos: My Review
Maximum Magnification Ratio: ane:ane
Minimum Focusing Distance: 0.25m (0.82ft)
Minimum Aperture: f/22
Maximum Aperture: f/2.8
Discontinuity Blades: ix circular
Auto Focus: Yeah
Stabilization: No
Filter Thread Size: 49 mm
Length: 130 mm (min) 181 mm (max)
Diameter: 70.8 mm
Weight: 622 g (1.37 lbs) with lens hood

Price Cheque & Buyer Reviews for Sigma 70mm F2.viii DG Macro Art

At: Amazon | B&H Photograph

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Telephoto Lenses

If you enjoy shooting sports or wildlife then you'll probably want to invest in a telephoto lens.

The longest APS-C telephoto lens for Sony Eastward-mount today is 350mm, if you desire a longer focal length than this so you'll need to look at full-frame telephoto lenses which go up to 600mm.

Sony Eastward 55-210mm F4.v-6.3 OSS (SEL55210)

The Sony Eastward 55-210mm F4.five-6.3 OSS lens covers a very useful focal range and as well comes with a very friendly cost sticker.

I own this lens myself and information technology's definitely seen quite a fleck of use!

Build quality is very good and the autofocus is fast, accurate and virtually silent. Optical Steadyshot (OSS) is also very helpful for shooting handheld especially at 210mm when fifty-fifty the smallest of shakes becomes visible.

Betwixt 55mm and 120mm the lens is reasonably sharp in the eye of the frame when shooting wide-open, the corners are a piffling softer simply stepping down a finish will acuminate them upwardly. At 210mm the center is a little softer but will nonetheless be sharp enough to make most shooters happy.

At that place is some vignetting visible along with chromatic aberrations when shooting broad-open, merely the in-camera corrections do a dandy job at fixing this.

The autofocus motor works really well in practiced low-cal, but it will get-go to struggle every bit the calorie-free levels driblet.

Hither are a few shots that I have taken with information technology:

Sony E 55-210mm (Shot on a6400) @ 210mm | 1/m | f/half-dozen.three | ISO 1000 | Handheld | ** Total Resolution SOOC Download: JPEG | RAW

Sony E 55-210mm (Shot on a6400) @ 150mm | 1/640 | f/5.6 | ISO 400 | Handheld | ** Full Resolution SOOC Download: JPEG | RAW

Sony E 55-210mm (Shot on a6500) @ 210mm | 1/250 | f/6.3 | ISO 200

To larn more than nigh this lens I'd recommend watching this video from Christopher Frost:

Pros: Price, central sharpness, weight, autofocus performance
Cons: CA, vignetting
Recommended Reviews: Jay SonyAlphaLab | Applied science Mafia (YouTube) | John Sison (YouTube)
Sample Photos: Flickr
Minimum Focusing Altitude: 1m (iii.28ft)
Minimum Aperture: f/22-32
Maximum Discontinuity: f/4.v-6.3
Aperture Blades: 7
Car Focus: Yes
Stabilization: Yes
Filter Thread Size: 49mm
Length: 108mm (iv-three/8 in.)
Bore: 63.8mm (2-v/8 in.)
Weight: 345g (12.2oz.)

Price Check & Buyer Reviews for Sony E 55-210mm F4.v-half dozen.3 OSS

At: Amazon | B&H Photo

Sony E 70-350mm F4.five-6.iii Chiliad OSS (SEL70350G)

The Sony E 70-350mm F4.5-six.three G OSS is currently the longest APS-C zoom lens that you tin can purchase for the Sony a6600.

I've not owned this lens for very long but I have been impressed by its compact size, weight and autofocus performance. It is a variable discontinuity lens and the maximum discontinuity at 350mm is f/vi.three.

I have to admit to being a picayune disappointed that Sony decided not to include a focus limiter switch that you lot exercise find on the Sony FE 70-300 full-frame lens, but it's not a major issue unless y'all make use of this ofttimes.

I decided to compare the autofocus performance of this lens with the Sony FE 70-300 and found they both offering like levels of performance.

Here are a few sample photos that I've shot with this lens:

Sony a6400 + East 70-350 @ 350mm | 1/2000 | f/6.3 | ISO 500 | Total Resolution SOOC Download: JPEG | RAW **

Sony a6400 + E lxx-350 @ 350mm | ane/2000 | f/half dozen.3 | ISO 640 | Full Resolution SOOC Download: JPEG | RAW **

Sony a6400 + E seventy-350 @ 210mm | 1/2000 | f/vi.3 | ISO yard | Cropped | Full Resolution SOOC Download: JPEG | RAW **

Sony a6400 + E lxx-350 @ 160mm | one/2000 | f/v.6 | ISO 1000 | Cropped | Full Resolution SOOC Download: JPEG | RAW **

And here'south 1 I shot with this lens on my a7R IV in crop way:

Sony a7R Four + Eastward 70-350 Yard @ 350mm | i/2000 | f/half-dozen.three | ISO yard | Total Resolution SOOC Download: JPEG | RAW **

This lens has quickly become 1 of my favourite telephoto lenses for APS-C cameras like the Sony a6600.

To learn more almost this lens I'd recommend watching this video from Christopher Frost:

Pros: Very fast and placidity autofocus, lightweight and compact, sharpness
Cons: No focus limiter or panning modes
Recommended Reviews: Christopher Frost (Youtube) | Arthur R (YouTube)
Sample Photos: Sony Gallery
Format: APS-C
Lens Construction: 13 groups, 19 elements
Bending of View: 22°-four°40′
Aperture Blades: 7 circular
Minimum Discontinuity: f/four.5-6.iii
Maximum Aperture: f/22-32
Minimum Focusing Altitude: 3.61–iv.93 ft (1.1–1.5 thou)
Maximum Magnification Ratio: 0.75
Motorcar Focus: Yes
Stabilization: Yeah
Filter Thread Size: 67mm
Length: 142mm
Diameter: 77mm
Weight: 625g / 22.1 oz

Price Check & Buyer Reviews for Sony E seventy-350mm F4.5-6.3 G OSS

At: Amazon | B&H Photo

Sony Atomic number 26 F4.v-5.vi 100-400mm Thou Main (SEL100400GM)

The Sony FE 100-400mm f/4.5-5.vi GM OSS lens is a total-frame lens but it's as well i of the most popular telephoto choices for APS-C shooters since it gives yous a total-frame equivalent focal length of 150-600mm.

I bought this lens on the get-go solar day that it was released and since and then information technology'southward spent more than fourth dimension attached to my cameras than whatsoever other lens I own.

The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and Sony'southward G Primary build quality. The lens is also weather sealed against dust and moisture.

Sharpness across the frame is exceptional and DxOMark charge per unit this as the sharpest lens in the 100-400mm focal range, chirapsia both Canon and Nikon equivalents.

Chromatic aberrations are extremely well controlled along with flare, although in that location are signs of vignetting at 400mm merely the in-camera corrections accept care of this.

If 400mm isn't long plenty then y'all'll be pleased to know that both the Sony Iron 1.4x and two.0x teleconverters are supported with this lens. Nonetheless, I'd only recommend using it with the i.4x since with the 2x your aperture is stopped downward to f/11 and you'll find that the images are a trivial on the softer side and AF performance also takes a hit.

Hither are a few shots that I have taken with it:

a6500 + 100-400 GM @ 345mm | 1/250 | f/5.6 | ISO 400 (I don't provide full res images for superbike shots I'g afraid)

a9 + 100-400 GM @ 400mm | 1/1600 | f/five.6 | ISO 200 | Cropped | *Full Resolution Download: JPEG | RAW

Sony a6400 + 100-400mm GM @ 400mm | ane/1250 | f/v.vi | ISO 800 | Full Resolution SOOC Download: JPEG

To learn more about this lens I'd recommend watching this video from Jay:

Pros: Fast autofocus, very sharp across the frame, color rendition, bokeh, build quality
Cons: Cost
Recommended Reviews: My Review | DxOMark
Sample Photos: My Review Samples
Minimum Focusing Altitude: 0.98 m (3.22 ft)
Minimum Aperture: f/32-40
Maximum Aperture: f/4.5-five.vi
Discontinuity Blades: 9 circular
Auto Focus: Yes
Stabilization: Yeah
Filter Thread Size: 77 mm
Length: 205 mm
Diameter: 93.9 mm
Weight: 1395 thou (3.1 lbs) without tripod mount

Cheque Price & Buyer Reviews for Sony Iron 100-400 F4.v-5.6 GM OSS

At: Amazon | B&H Photo

Sony FE 200-600mm F5.6-6.3 G OSS (SEL200600G) Lens

The Sony Fe 200-600mm F5.6-6.three G OSS lens is the longest lens that y'all tin can currently mount to your Sony a6600..

Since I savor shooting wildlife myself I ordered this lens as shortly as it was announced and I'm currently working on a 200-600 vs 100-400 comparing.

With a focal range of 200-600mm and a maximum aperture of f/6.three at 600mm this lens will help yous to get closer to wildlife than ever before. If 600mm is not long plenty then yous can as well add together the 1.4x or 2.0x teleconverters.

This is a large lens and it weighs 2115g without tripod mount and is 318mm in length. It's also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a cakewalk. Because information technology doesn't extend it besides balances very well on a gimbal.

At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which because it's a G lens and not a GM lens is really quite something.

Sony a7 III + 200-600 @ 600mm | 1/grand | f/half dozen.3 | ISO 640 | Full Resolution SOOC Download: JPEG | RAW **

Sony a7III + 200-600 @ 600mm | ane/2000 | f/6.3 | ISO 640 | Cropped | Total Resolution SOOC Download: JPEG

Sony a7III + 200-600 @ 600mm | ane/2000 | f/6.iii | ISO 800 | Cropped | Full Resolution SOOC Download: JPEG | RAW **

To learn more virtually this lens I'd recommend watching this video from Jay:

Pros: Internal zoom, sharpness, 1.4x & 2.0x teleconverter compatibility
Cons: Size, weight
Recommended Reviews: Mark Smith (YouTube)
Sample Photos: My Sample Gallery
Minimum Focusing Altitude: 2.4m (7.88 ft)
Minimum Discontinuity: 32-36
Maximum Aperture: five.half-dozen-vi.three
Aperture Blades: 11 circular
Car Focus: Aye
Stabilization: Yes
Filter Thread Size: 95mm
Length: 318 mm (12 v/8 in.)
Diameter: 111.5 mm (4 1/2 in.)
Weight: 2115g without tripod mount

Price Check & Buyer Reviews for Sony Iron 200-600mm F5.6-6.three G OSS

At: Amazon | B&H Photo

Sigma 100-400mm F5-half dozen.3 DG DN OS

The Sigma 100-400mm F5-half-dozen.3 DG DN Bone has not long been released, as before long as reliable information is known about this lens this section will exist updated.

I have purchased this lens myself and the image quality is very good and extremely shut to the Sony FE 100-400 lens.

Unfortunately the autofocus performance is not on par with the Sony. Information technology misses more shots and if you lot are shooting bursts with AF-C priority set to balanced emphasis it struggles sometimes to lock-on and burn the shutter.

I will be doing a total review and comparison with the Sony Atomic number 26 100-400 GM lens very soon.

Until then this first look video from Gordon Laing is worth watching:

Pros:
Cons:
Recommended Reviews:
Sample Photos: Sigma Gallery
Lens Construction: 22 elements in sixteen groups
Angle of View (35mm): 24.4° – 6.2°
Aperture Blades: ix rounded
Minimum Aperture: f/22-29
Maximum Aperture: f/five
Minimum Focusing Distance: 112 (Wide) – 160cm (Tele) / 44.ane – 63in.
Maximum Magnification Ratio: i:4.1 (400mm)
Auto Focus: Yes
Stabilization: Aye
Filter Thread Size: 67mm
Length: 199.2mm / 7.8in.
Diameter: 86mm / three.4in.
Weight: 1,140g / forty.2oz.
Website: Sigma 100-400mm F5-six.3 DG DN Os

Price Check & Heir-apparent Reviews for Sigma 100-400mm F5-6.three DG DN OS

At: Amazon | B&H Photo

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Pancake Lenses

A pancake lens is looks just similar an actual pancake, flat and thin! They ordinarily take a relatively wide focal length as well. Pancake lenses are often the first choice of street shooters because they are so discrete.

Sony Eastward 20mm F2.viii (SEL20F28)

As the photo in a higher place shows, the Sony E 20mm F2.8 lens is very thin indeed! It weighs merely 69 grams (2.4oz) and is 20.4mm in length.

Sharpness in the middle of the frame is skillful when shooting at the maximum aperture of f/ii.8 and the edges although a little softer are still perfectly respectable. Stopping downwardly to f/5.six improves sharpness a fiddling farther.

Chromatic aberrations are visible towards the frame edges when shooting at f/2.8 as is vignetting, you lot'll need to end downward to f/8 to run into a big improvement hither.

At that place is some barrel distortion visible just in-camera corrections do a great job of fixing this when shooting JPEGs. Flare control is very proficient even when pointing this lens directly into the lord's day.

To acquire more than nigh this lens I'd recommend watching this video from Christopher Frost:

Pros: Size, weight, fundamental sharpness broad-open
Cons: Chromatic aberrations, vignetting, distortion
Recommended Reviews:
Sample Photos: Flickr
Minimum Focusing Distance: 0.66 ft (0.ii one thousand)
Minimum Aperture: f/16
Maximum Aperture: f/2.8
Aperture Blades: 7 rounded
Auto Focus: Yeah
Stabilization: No
Filter Thread Size: 49mm
Length: xiii/16″ (xx.four mm)
Bore: 2-1/2 (62.half-dozen mm)
Weight: 2.iv oz (69 grand)

Budget Lenses

If you are on a budget and then take a closer look at some of these lenses from 7Artisans:

• 7Artisans 7.5mm f/2.8
• 7Artisans 12mm f/2.8
• 7Artisans 25mm f/1.8
• 7Artisans 35mm f/1.2
• 7Artisans 35mm f/2.0
• 7Artisans 50mm f/1.viii
• 7Artisans 55mm f/1.4
• 7Artisans 60mm f/ii.8 Macro

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Sony a6600 FAQs

What lenses are compatible with the Sony a6600?

The Sony a6600 has an APS-C sized sensor and uses the Sony E-mountain arrangement. It'south uniform with any of Sony's Due east-mountain lenses and also third-party lenses that apply the Eastward-mountain.

Which is the best travel lens for the Sony a6600?

1 of the near popular travel lenses for the Sony a6600 is the Sony Eastward eighteen-135mm F3.five-5.vi OSS lens. Its compact and lightweight and covers a very broad focal range from 18mm all the way to 135mm.

Which is the best pancake lens for the Sony a6600?

The Sony E 20mm F2.viii is one of the smallest pancake lenses available for the Sony a6600.

Which is the best lens for astrophotography?

There are quite a few practiced choices but 1 of the most pop is the Rokinon / Samyang 12mm f/2.0 NCS CS.

Tin can I use total-frame (FE) lenses on the a6600?

Yes full-Frame Due east-mount lenses are supported on the Sony a6600.

Sony E 18-105mm VS Sony East eighteen-135mm lens, which lens is best?

If you lot shoot mainly nonetheless images or stills and only a picayune video then I'd recommend the 18-135. It'southward lighter, sharper, has a smaller minimum focus distance so is peachy for macro shots and you can zoom in and out much faster with the manual zoom. If yous shoot more video so the eighteen-105 is the better selection since you lot go a constant f/4 aperture, power zoom, and it's much easier to residue on a gimbal considering it'due south an internal zoom which does non extend.

Which is the best prime lens for the a6600?

There are many slap-up prime number lenses covered in this guide, simply my personal 3 favorite primes are the three excellent Sigma'due south – the 16mm F1.4, 30mm F1.4 and the 56mm F1.4.

Which battery does the Sony a6600 apply?

The Sony a6600 uses the Sony FP-FZ100 rechargeable battery.

Where can I get aid and ask questions on the Sony a6600?

The all-time place to ask questions is in our Sony a6600 Shooters Group on Facebook. If you lot are not on Facebook and so drop a annotate below and I'll practice my all-time to assist.

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Additional Lens Guides

Sony a6600 Resources

Sony a6600 Forum & Facebook Group

If you are looking for farther assistance and advice on the a6600 or would simply like to share your photos and videos, and so please head over to our friendly Sony a6600 Forum. If you prefer Facebook then I also run the Sony a6600 Shooters Group.

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Source: https://www.alphashooters.com/cameras/a6600/lenses/

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